Poetical Works of Sir Walter Scott with the Author's Introduction and Notes Edited by J. Logie robertson, M.A.

Poetical Works of Sir Walter Scott with the Author's Introduction and Notes Edited by J. Logie Robertson, M.A.

Author: Scott, Sir Walter

12mo. (4.625" x 7.125") 1913. Scott, Sir Walter. London, et.al.; Oxford University Press. Three quarter brown leather with generous corners, single gilt rule to leather edges, over marbled boards. Spine with heavy gilt decoration, gilt author in second "compartment", with heavy gilt decoration to balance (see pic). Marbled endpapers, all edges gilt. Spine has sun faded to a pleasing chocolate brown. Slight edgewear, corners bumped and rubbed. Frontispiece, text in two columns. A pretty book that displays well.

From Wiki: Sir Walter Scott, 1st Baronet FRSE FSAScot (15 August 1771 – 21 September 1832), was a Scottish novelist, poet and historian. Many of his works remain classics of European and Scottish literature, notably the novels Ivanhoe (1819), Rob Roy (1817), Waverley (1814), Old Mortality (1816), The Heart of Mid-Lothian (1818), and The Bride of Lammermoor (1819), along with the narrative poems Marmion (1808) and The Lady of the Lake (1810). He had a major impact on European and American literature. Although he continued to be extremely popular and widely read, both at home and abroad, Scott's critical reputation declined in the last half of the 19th century as serious writers turned from romanticism to realism, and Scott began to be regarded as an author suitable for children. This trend accelerated in the 20th century. For example, in his classic study Aspects of the Novel (1927), E. M. Forster harshly criticized Scott's clumsy and slapdash writing style, "flat" characters, and thin plots. In contrast, the novels of Scott's contemporary Jane Austen, once appreciated only by a discerning few (including, as it happened, Scott himself) rose steadily in critical esteem, though Austen, as a female writer, was still faulted for her narrow ("feminine") choice of subject matter, which, unlike Scott, avoided the grand historical themes traditionally viewed as masculine. After Scott's work had been essentially unstudied for many decades, a revival of critical interest began in the middle of the 20th century. While F. R. Leavis had disdained Scott, seeing him as a thoroughly bad novelist and a thoroughly bad influence (The Great Tradition [1948]), György Lukács (The Historical Novel [1937, trans. 1962]) and David Daiches (Scott's Achievement as a Novelist [1951]) offered a Marxian political reading of Scott's fiction that generated a great deal of interest in his work. These were followed in 1966 by a major thematic analysis covering most of the novels by Francis R. Hart (Scott's Novels: The Plotting of Historic Survival). Scott has proved particularly responsive to Postmodern approaches, most notably to the concept of the interplay of multiple voices highlighted by Mikhail Bakhtin, as suggested by the title of the volume with selected papers from the Fourth International Scott Conference held in Edinburgh in 1991, Scott in Carnival. Scott is now increasingly recognised not only as the principal inventor of the historical novel and a key figure in the development of Scottish and world literature, but also as a writer of a depth and subtlety who challenges his readers as well as entertaining them.

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3/4 brown leather, heavy gilt decoration, all edge gilt, Marbled Endpapers, marbled boards, Decorative Books, Decorative Leather, Beautiful Decorative Book